Pocket Express Interview with Buddy Guy
72-year old Buddy Guy has been playing the blues since he made his first guitar by attaching two strings to a piece of wood with his mother’s hairpins when he was seven years old. He wouldn’t own a real guitar until a decade later, but now his Harmony acoustic guitar is on display at the Rock and Roll Hall of Fame in Cleveland and the City of Chicago, which he has called home since 1957, is honoring him as the First Annual Great Performer of Illinois this July 20th.
Guy, who owns the Chicago blues club, Buddy Guy’s Legends, is also releasing Skin Deep, an album of all original material with guest appearances from fellow musicians including Eric Clapton, Robert Randolph, Susan Tedeschi and Derek Trucks. Guy, who keeps a busy schedule including being at his club on a daily basis, took time to talk to Red about his new album.
Why the name Skin Deep?
My mother told me, “Boy, beauty is only skin deep,” and I never forgot that and I always thought that I needed to write a song about that. We were sharecroppers and we were living on a plantation. There was a little boy living in the house there, and as a baby, and when he got older, his parents would bring him to our house so we could play with him and they could get some rest. We rode horses together, we had fun but then when he was about 13 his parents wouldn’t let us play together anymore. They said he had white blood and I had black blood. We took a flashlight and held it to our skin and all we could see was red blood and that’s what I mean by skin deep.
That must have been painful for you.
It was. He came backstage at one of my shows a while back and he asked me if I was mad at him because of what had happened and I told him no, you were the best friend I ever had.
Tell us about the album.
It’s all new material. This is the first time I ever really had control. Everything in here is new. Most of the other albums I’ve made have been a few new songs and then back to the older stuff or the covers–which is fine, but you gotta be creative. I would talk to Jimi Hendrix and Eric Clapton and Jeff Beck when they were all making records and they would tell me that they would go in the studio with the freedom to play what they wanted. This time, I had that.
How did you go about making it?
I just try to get the best players and hope I can pop the top off this can and show that the blues are back. I learned from the people who played on the album, some of them were a lot younger. And these guys got me feeling like when I was 22 years old and went into the studio with Muddy Waters.
You know, some people might say that at 72, you should just sit back and relax instead of being in your club all the time and making a new album. What’s your take on that?
If you get too old to learn, you might as well go out of this world backwards. It’s like being a prizefighter–if you lay down, you never have a chance to win. But if you keep punching, you might hit ‘em with the one that lays them down.
Blues legend Buddy Guy has earned five Grammy Awards, 23 W.C. Handy Blues Awards (the most any artist has received), the Billboard Century Award and the Presidential National Medal of Arts just to name a few.
He grew up on in a poor family on a plantation in Louisiana, and though he moved to Chicago over 50 years ago, Guy kept some of his country ways. He talked to Red early in the morning, because that’s when he likes to get going.
Do you normally do interviews at seven in the morning?
Ever since I was day one, I was up early and I never lost it. I love getting up early this time of the year because I love listening to the birds and hearing them fight for their territory. On the farm, I got up at 4:30 because I had three and half hours of farm chores to do before I could go to school. In those years, we didn’t have trucks and automobiles, running water, air conditioning, nothing. My mom would get up at four in the morning to cook and it would get the house nice and warm and that way she could be done with her cooking before the day got too hot. My oldest sister, who is 83, tells me, “We got you out of the country but we’ll never get the country out of you.”
But you work late at your club Buddy Guy’s Legends, don’t you get tired?
I work until around 2:30 and then I take a nap so I cut the day in half. When I get up, I’m ready for the second part of my day.
This year is your club’s 20th anniversary. Are you surprised by its continued success?
It wasn’t a success for such a long time, I lost a bit of money for the first eight or nine years after I opened it. I would go to the bank and borrow money so I could pay the people who worked for me and pay the bills. Just before I opened Legends, I owned the Checkerboard Lounge. Back then the only white faces we’d see in there were policeman. At the time, there were blues clubs all over the city, now they’re three or four blues clubs left. I’m glad I’m one of them. But there was a time, when the club wasn’t making money and the Chicago winters were cold that I thought the birds had more sense than me because they go south.
You’re still going strong at 72. How do you do it?
I don’t eat between meals. When I’m home I love to cook like my mother taught me and then I go to the club. I have grandchildren, I take care of my house, I go to the store myself to buy my groceries. I never let my little success go to my head, I go home at night listen to some spiritual music, take a shower, read the paper. In the 20 years of my club I haven’t missed many nights. If people walk in hoping to see Buddy Guy, they will, I’ll be right there.
Having lived such a long and eventful life, do you have any words of wisdom for us before we say goodbye?
My mother told me before she died, “If you got flowers to give, give them to me before I die so I can smell them now.”
–Interview by Jane Ammeson, Red Editorial Staff
–Photo Credits Paul Natkin and James Waynauskas







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