Caught in his newspaper’s downsizing, Jack McEvoy wants to hand in one last big story before he’s replaced by a much younger and much less experienced reporter. Determined to write the definitive story of his career, McEvoy begins to investigate the case of Alonzo Winslow, a teenage drug dealer who claims to have been set up as a murder suspect.
Before long, McEvoy finds himself also set up to take the rap for a murder–that of the reporter who was going to take over his job. And, as if life wasn’t complicated enough, he’s renewed his old affair with FBI agent Rachel Walling as well. The Scarecrow (Little Brown 2009, $27.99) is typical Michael Connelly–edge of the seat mystery with mesmerizing plots and compelling characters.
This one takes us in the world of cutting edge technology where the villain hacks into the Los Angeles Times’ Website, brutally tortures and murders women, uses computers to put the blame on others and creates a sexually perverse chat room to “capture” his victims.
Going up against this cunning, McEvoy and Walling find themselves battling both a killer and a bureaucracy to solve the murders and save their lives. Connelly took a break from murder and mayhem to talk to Red.
I don’t scare easily and I was pretty sure you wouldn’t kill off Rachel or Jack; and yet I was still really anxious when they met up with Carver. Do you feel that sense of anxiety when you write? You take your characters and your readers into some pretty dark places, do you go there yourself or are you too much in control?
I don’t generally descend into the darkness I write about. I do some research but I wouldn’t call it participatory. There is a moment in this book–I don’t want to give too much away–where Rachel is in some real danger, and I was caught by surprise by how much I like her as a character and what I should or shouldn’t have happen to her in this situation.
I read a response you had to a question where you said you don’t really plan your story line out ahead of time and yet your books seem to be tightly plotted and everything makes sense in the end, how do you do that?
Rewrite. I do a lot of reading and rewriting of each draft. It allows me to hide things better, make other things clearer and most of all it allows me to fine-tune the plot and make sure everything fits together in the end.
You’ve cited The Long Goodbye by Raymond Chandler as having the most influence on you. Do you feel his influence in L.A.? Have you ever gone to visit some of his old haunts?
I have visited places from his books but not from Chandler’s life. On a few occasions I have written about places he wrote about as well.
You have a several lead characters–Harry, Jack and Mickey–how do you decide which one to write about next?
It seems to be different every time. Harry Bosch always seems to get the first look. I love this character and realize that because he is aging in real time, I have limited time to write about him. So, most of the time, I am thinking about Bosch and figuring out what I can say about him next. But sometimes I get an idea, or hear a story that sparks an idea, and I feel like I have to follow it. With The Scarecrow I was inspired by seeing the downward spiral of the business I was a part of for so long and loved. It made me want to write a newspaper story that would reflect all of this, and so the next step was the main character. The choice of Jack seemed obvious.
Will Rachel ever get her own series?
Maybe. I like the character a lot.
A former newspaper reporter, bestselling author Michael Connelly expounds in his latest book on what’s happening to the industry and his fears that once newspapers are gone, corruption will become more rampant.
Though his novels are set in Los Angeles, Connelly recently moved to Florida where he is at work on his next book due out this September. In the meantime he’s on a cross-country book tour, but took time out to chat with Red about his latest book.
Like Jack McEvoy, you were snatched up from another newspaper by the Los Angeles Times. Are there other similarities between you and Jack?
There are not too many similarities in our lives but we share the same sort of view of journalism. When I write about Jack, I don’t think in terms of what this character would do in the situation at hand. I think in terms of what I would do. I think that makes him a lot like me.
What’s happening to Jack is happening all over the country to reporters. I read an op-ed piece that said the fewer newspapers we have, the more corruption we’ll have. What’s your take on that?
As Jack says in the book, corruption will be the new growth industry. The local newspaper was a watchdog over government. When you lose that component, be prepared for the consequences. I really doubt this is something that can be picked up by the Internet. The local paper is an institution. The Internet is diffuse. A blogger reporting on governmental malfeasance won’t be heard in the way a newspaper reporter can be heard.
You’ve moved back to Florida but The Scarecrow is set mostly in L.A. Will any of your lead characters migrate to Florida?
I doubt it. I remain fascinated by LA. I don’t live there full time anymore, but I go back all the time. I am going to keep writing about it.
Would Harry or Mickey be the same if they didn’t live in L.A.?
No, they wouldn’t be. I think L.A. is part of each character and this underlines why I won’t be writing about Florida. I write about L.A. and use these characters to do it.
Tell us about the move, what made you decide to go back? And was it hard adjusting?
I think change is good. I wanted a big change and moving 3,000 miles away from the place I write about was just the ticket. The only adjustment was that I had to increase my physical research. I had to go back to LA and go to the places I was writing about because I didn’t want to get them wrong. The result is that I think the books I have written in Florida are better and more accurate depictions of LA.
I keep reading about how fatherhood has changed you–and Harry–but I haven’t come across much about your child or children or family life. Is that something you can share with us?
I pretty much keep that side of my life private. What I want to say about fatherhood hopefully comes out in the books. Harry has a daughter my daughter’s age. So does Mickey Haller.
Can you tell us about your next book?
It’s called 9 Dragons. It’s a Harry Bosch story in which the events surrounding a murder investigation leads him to Hong Kong, where his daughter happens to live with his ex-wife. So I think–hope–that issues involving the relationship between Harry and his daughter come to the surface. The middle third of the book is set in Hong Kong. The book is sort of set up like a Hieronymus Bosch triptych.
Sounds great. Can’t wait to read it.
Thanks.
–Interview by Jane Ammeson, Red Editorial Staff